Sound Healing at Stonehenge

British researchers reporting in the journal Time & Mind: the Journal of Archaeology, Consciousness and Cultures may have cracked the mystery of why the builders of Stonehenge chose to haul some of its giant bluestones 320 km away from Wales to Salisbury Plain.

Their pilot study is focused on bluestones in the Carn Menyn Ridge, Preseli Hills, south-west Wales, the source area of some of the Stonehenge bluestones.

According to local legend, the bluestones possess magical and healing properties. But what Dr Paul Devereux and Dr Jon Wozencroft from London’s Royal College of Art have now discovered are the extraordinary ‘sonic properties’ of these stones, which might have led to their use in Stonehenge.

After testing over 1,000 stones at points all along the Carn Menyn Ridge, they found that on average, between 5-10 percent of the rocks ‘ring’ when hit. In localized places, the figure rises to 15-20 percent, ‘with a few very small hotspots up to double that percentage again.

“When struck, some make a range of metallic sounds, from pure bell-like tones to tin drum noises to deeper gong-like resonances,” Dr Devereux and Dr Wozencroft explained.

Being in no doubt that the source area of the Stonehenge blue stones is a noteworthy soundscape, the scientists traveled to Stonehenge itself. The sonic properties of the bluestones were tested in site, the first time this had ever been done.

“Was sound a key reason behind the otherwise inexplicable transport of these stones from Preseli to Salisbury Plain – whether they were to be rung at Stonehenge, or simply because the megalith builders associated them with the magical properties of the astonishing Carn Menyn soundscape?”

“Stonehenge will never tell us for certain. But given all that the study has discovered, such a suggestion may well ring true with further research.”

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Bibliographic information: Paul Devereux & Jon Wozencroft. Stone Age Eyes and Ears: A Visual and Acoustic Pilot Study of Carn Menyn and Environs, Preseli, Wales. Time and Mind: The Journal of Archaeology, Consciousness and Culture, published online December 02, 2013; doi: 10.1080/1751696X.2013.860278

  

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By Jill Mattson

My personal interests in Sound Healing, helping people and expanding consciousness were the result of my lifelong love affair with music, coupled with my personal spiritual quest, which I started in earnest about 40 years ago. I was drawn to the study of antiquity; specifically, I extensively examined methods employing Sound Healing and music to alter and improve mind, body, emotions, energy and spiritual aspects of practitioners’ lives. I collected voluminous materials on Sound Healing over many years. This prompted me to write my first book on the field of Sound Healing where I interview leading researchers and scientists in the discipline. Concurrent with my research, I began producing my own Sound Healing recordings. In the early 2000’s I built a studio in my home to record my own compositions. I blend my original music with ancient techniques and embed special sounds in the tracks. The end result is pleasing and beneficial on multiple levels. Many people enjoy the music as a normal listening experience; more significantly, other people have been able to reach new levels of consciousness, peace and wellness by focused listening to my compositions. The field of Sound Healing is a rapidly growing discipline that is attracting great interest. As indicated above, many of the techniques that are employed stem from ancient traditions. There is also cutting-edge research underway, which is expanding the understanding and promise of this field. My personal specialty in Sound Healing utilizes the intricate combination and interplay of numerous musical effects along with specific frequencies. It is the magical and complex interaction of special healing sounds with the human body and mind that give the impressive results that can be achieved with Sound Healing.    Jill's websites: https://www.jillswingsoflight.com/   https://www.jillshealingmusic.com/      

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